“One of the most admired pianists of his generation”

The New york times

Upcoming performances

Minnesota Beethoven Festival

Winona, MN

BEETHOVEN: Sonata No. 5, Op. 102, No. 2

SHOSTAKOVICH/AUERBACH: 7 Preludes from Op. 34, Nos. 1, 6, 7, 10, 15, 17, & 24

BRAHMS: Songs (arr Barnatan/Weilerstein)

SHOSTAKOVICH: Sonata for Viola and Piano, Op. 147 (transcribed by Daniil Shafran)

With Alisa Weilerstein, Cello

July 7, 2026
Tickets

Aspen Music Festival- recital with Alisa Weilerstein

Harris Hall
Aspen, CO

SHOSTAKOVICH, Arr. LERA AUERBACH: from 24 Preludes, op. 34

BRAHMS, Arr. WEILERSTEIN/BARNATAN: Sonata for Violin and Piano No. 1 in G major, op. 78 “Regensonate”

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BRAHMS: Selection of Songs

SHOSTAKOVICH/SHAFRAN: Sonata for Viola and Piano, op. 147

With Alisa Weilerstein, Cello

July 9, 2026
Tickets

Aspen Music Festival- Time Traveler's Suite

Harris Hall
Aspen, CO

BRAHMS, Arr. J. S. BACH: [Allegro], from Brandenburg Concerto No. 2 in F major, BWV 104
HANDEL: Larghetto, from Trio Sonata in G minor, op. 2 no. 5
RAMEAU: La poule, from 6 concerts transcrits en sextour
RAMEAU: Entrée de Polymnie, from Les Boréades
COUPERIN/THOMAS ADÈS: Les baricades mistérieuses, from Second livre de pièces de clavecin 6e ordre
RAVEL: Rigaudon, from Le Tombeau de Couperin
STRAVINSKY: Serenata, from Suite Italienne
CHARLES WUORINEN: from Bearbeitungen Uber Das Glogauer Liederbuch
GUILLAUME CONNESSON: Techno-Parade
J. S. BACH: Allegro assai, from Brandenburg Concerto No. 2 in F major, BWV 1047
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J. S. BACH: Italian Concerto, BWV 971
OLLI MUSTONEN: Concerto for 3 ViolinsWEILERSTEIN/BARNATAN:
Sonata for Violin and Piano No. 1 in G major, op. 78 “Regensonate”

July 11, 2026
Tickets

The evening’s undisputed star was Barnatan… From barely audible, feathery trills to heaven-storming thunderbolts, Barnatan orchestrated every phrase with sovereign mastery… fine music-making wedded to astounding technique.

The Washington Post

“A breathtaking charisma that comes from gorgeously turned out technique, a masterly sense of color, and an expressiveness that can question, weep, or shout joy from the rooftops.”

Philadelphia Inquirer