After hearing a secret recording of Rachmaninoff playing Symphonic Dances for Eugene Ormandy ahead of its Philadelphia premiere, Inon was inspired to arrange the composer's touching work for solo piano.

"My first reaction when hearing this recording was fascination with the playing itself – here is a rare document of the great composer’s intentions, how he thought about the piece and how he himself heard it. It was also a very rare document: Rachmaninov did not permit any live recordings of his concerts, so this is one of the only performances of his we have that was not recorded in a studio."

Read the full feature in the November Issue of International Piano and stream Rachmaninoff Reflections, available on all major streaming platforms, linked HERE.

After hearing a secret recording of Rachmaninoff playing Symphonic Dances for Eugene Ormandy ahead of its Philadelphia premiere, Inon was inspired to arrange the composer's touching work for solo piano.

"My first reaction when hearing this recording was fascination with the playing itself – here is a rare document of the great composer’s intentions, how he thought about the piece and how he himself heard it. It was also a very rare document: Rachmaninov did not permit any live recordings of his concerts, so this is one of the only performances of his we have that was not recorded in a studio."

Read the full feature in the November Issue of International Piano and stream Rachmaninoff Reflections, available on all major streaming platforms, linked HERE.

After hearing a secret recording of Rachmaninoff playing Symphonic Dances for Eugene Ormandy ahead of its Philadelphia premiere, Inon was inspired to arrange the composer's touching work for solo piano.

"My first reaction when hearing this recording was fascination with the playing itself – here is a rare document of the great composer’s intentions, how he thought about the piece and how he himself heard it. It was also a very rare document: Rachmaninov did not permit any live recordings of his concerts, so this is one of the only performances of his we have that was not recorded in a studio."

Read the full feature in the November Issue of International Piano and stream Rachmaninoff Reflections, available on all major streaming platforms, linked HERE.

After hearing a secret recording of Rachmaninoff playing Symphonic Dances for Eugene Ormandy ahead of its Philadelphia premiere, Inon was inspired to arrange the composer's touching work for solo piano.

"My first reaction when hearing this recording was fascination with the playing itself – here is a rare document of the great composer’s intentions, how he thought about the piece and how he himself heard it. It was also a very rare document: Rachmaninov did not permit any live recordings of his concerts, so this is one of the only performances of his we have that was not recorded in a studio."

Read the full feature in the November Issue of International Piano and stream Rachmaninoff Reflections, available on all major streaming platforms, linked HERE.

After hearing a secret recording of Rachmaninoff playing Symphonic Dances for Eugene Ormandy ahead of its Philadelphia premiere, Inon was inspired to arrange the composer's touching work for solo piano.

"My first reaction when hearing this recording was fascination with the playing itself – here is a rare document of the great composer’s intentions, how he thought about the piece and how he himself heard it. It was also a very rare document: Rachmaninov did not permit any live recordings of his concerts, so this is one of the only performances of his we have that was not recorded in a studio."

Read the full feature in the November Issue of International Piano and stream Rachmaninoff Reflections, available on all major streaming platforms, linked HERE.